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CristiCons set for ResoluteNyc remote showcase
full stream at https://www.facebook.com/ReSoluteEventsNYC/videos/698614180908249/
credits autechre - bronchus24
my visuals are algorithmic compositions. I compose visual music with parameter morphings. shapes and process. many parameters at the same time, from which I expect different effects. from experience or as a new idea. some of these work in opposite directions and together create unexpected reactions. I can deal with these spontaneously and immediately with many midi controllers and pc keys that control the basic parameters. Five different visuals can easily be created in a few days and nights in a row. on a piece of music very different versions, of which I see: I don't have it yet. pointless to include the sixth version. at intervals, sometimes weeks later, I work on it again. and sometimes I see: that's it !! (music has many aspects: shape, energy, mood, tempo .. I try to visualize at least some of them at the same time)
credits Roberto Vitalini (@Bashiba) .:. Sebastiano Barbieri (@Noir) .:. www.bashiba.com
BASHIBA Zaryadye https://vimeo.com/bashiba/organ
Inauguration of Zaryadye’s Concert Organ | 24 hours live concert
Zaryadye Concert Hall | Moscow | 29.02.2020
"The light will come to life, it will breathe and dance to the sounds produced by the organist, who will be center stage”
Daniele Finzi Pasca
Video memory by Roberto Vitalini, bashiba.com
I was part of the creative team and was present during the 24 hours. The concert offered many memorable moments, this is a mini memory, mainly for the purpose of remembering the work we have done and the fantastic skills of the organists (the sound is simply recorded with the built-in camera microphone, this is not a professional recording).
Organists in order of appearance: Winfried Boenig, Hiroko Inoue, Olivier Latry
24 Organists | 24 hours live concert | 10'000 spectators |
Sound-reactive lighting and generative video content by BASHIBA (Roberto Vitalini and Sebastiano Barbieri) for Compagnia Finzi Pasca.
credits Dresden Xperience Schlösserland Sachsen,tamschickmediaspace,colorsound,vux,ndrv,usomo,matecdresden ,tempestenclosures
Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH
Dr. Dirk Welich
TAMSCHICK MEDIA+SPACE GmbH
Media-Based Scenography: Creative Direction, Creative Producing, Conception, Development of Script, Audio Drama and Music, Media Design, Media Production, Media Technology, Light Design, Fittings
Tobias Ziegler, Hanna Stoff
Ekaterina Petrova (Assistance)
Charlotte Tamschick, Jan Köpper, Elisa Broß, Camila Bernal Samper
Gaël Perrin, Mattis Gutsche
Abraham Manzanares, Julien Vullet , André Viergutz
Planungsbüro Seeger, Dipl.-Ing. Björn Seeger
SchillerWendt GbR, Christian Schiller and Marianne Wendt with TAMSCHICK MEDIA+SPACE GmbH
Not A Machine GbR with TAMSCHICK MEDIA+SPACE GmbH
usomo by FRAMED immersive projects GmbH & Co. KG
lichttransfer, Katrin Söncksen with TAMSCHICK MEDIA+SPACE GmbH
Design: Karin Knott
Realization: Stahlbau Altdöbern GmbH
Archimedes Exhibitions GmbH
Concept and production: VOLNA, 2A Production
Video and photo: VOLNA
Lighting operator: Mark Zaicev
Music: Ultra Milkmaids - injection
Project commissioned by Roots United
© VOLNA (2019) © Ultra Milkmaids (2010)
The large-scale kinetic light installation “Empyrean” was created as a stage design for the event 59 ° 57 '/ 30 ° 19' by Roots United, which took place on Oct. 19th, 2019 at the Mutabor club in Moscow.
credits blubb.media GmbH
More Info: https://www.blubbmedia.com/portfolio/literaturmuseum-der-moderne/ (german)
visual artist : Dimitra Zigaris
In the context of social media, visual recognition of ourselves as self-directed behaviour and at the same time as a remnant of evolutionary psychology, concludes a narcissistic capitulation of one's survival. Panoptic vision as a power mechanism requires that we observe and be observed and continually comparing ourselves to others, creating an imposter homogeneity. Goebbels stated, "If you have nothing to hide, you have nothing to fear”. The political system, with the moral alibi of “protecting the citizen from potential violations”, contemns the individual to a new form of surveillance similar to the panoptic control system proposed by Jeremy Bentham. Through the acceleration of overall internet traffic and the so on culture of "I have nothing to hide", individual rights cease to exist. Thus, a “pro” security form emerges, seeming progressive, but in fact is the opposite.
Materializing the idea
The installation is being consisted by a booth with a mounted mirror and a monitor (right and left side respectively), both are putted in round shaped frames resembling the well known social networking pages' profiles. The mirror stands for self identification and symbolizes the narcissistic aspect of us extrapolating the presence of the monitor on the other side of the booth.
Beneath the round shaped monitor (left side) there is a proximity sensor (connected to an Arduino) and an RGB camera which are both responsible for the motion detection, face recognition and capture.
When the spectator passes by and stands for a while in front of it her image will be captured so it will be revealed without her acknowledgement and few seconds after her departure to the rest of the upcoming visitors.
In order to succeed so both vvvv and VL with its amazing YOLO implementation were used in the benefit of quick recognition, storing images, checking distances and human presence as also for showing back the captured images by using a fairly simple logic.
The installation meant to be portable (rumbling) and compact in a sense that it is lightweight and everything fits in the booth without revealing any cables or the mechanism to the audience.
Gyrovagues: Wandering, marginal and undisciplined monks, outside the community and without fixed residence; they lived on the charity and hospitality of others.
Gyrovagvs. Real-time mixed media installation. Shadowed pepper’s ghost with wooden stool and sound.
Gyrovagvs inhabits precariously and dramatically on both sides of a mirror, as an intermittent thought or like-quantum game. Shadowed image without body, it could be alive as a consistent perception, or on the contrary, it could remain confined in the physical jail of an optical illusion. In any case, Gyrovagvs claims that reality -and therefore also, everything that overwhelms us- arises from the subtle mix between the fictitious and the real.
Based on Dottore’s Gea.Naive
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