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Combining mobile robotics and projection mapping, Phyxelbots explores the future of playful learning environments. Merging digital spaces of information, with physical spatial interaction, a community of kinetic interactive objects perform in response to human gesture and can also organise into pre-coded configurations. Experiments in the Lab have explored their potential applications as teaching aids, narrating stories, participating in group educational games (such as colour mixing seen in the film), and serving as personal companion devices for children.
The project was developed by Menglin Wang and Somya Chaturvedi as a part of their Masters in Architecture B-Pro programme at The Bartlett School of Architecture.
On 11 November 1965, J. Beuys walked, in the context of an art exhibition, with a dead hare in his arms, hugging and whispering to her. He called it How to Explain Pictures to a Dead Hare. His face was bathed in honey and gold dust, and a foot wrapped in felt dragged a copper plate over the floor. Everything was prepared to understand the potentialities and connectivities –both symbolic and physical- of that encounter like a shamanic and performative act; also as an arrangement of elements or data that would allow cross flow meanings and information. A whole combination of alchemical transits and thoughts...
We thought he was who explained the works of art -the meaning of art- to the dead hare. What we never knew, and now we speculate with this, is that he might be asking to the hare: please dear, could you explain it to me?
3th International Festival of Musical Experimentation After Cage
October 18, 2016. Iruña/Pamplona (Spain)
credits VVVV, HLSL, Pure Data patching: Umanema | Sound: George Oblapenko | Wave simulation shader: Sebastian Gregor
Project was made by GODA art collective (Dmitrii Antropov (umanema) and George Oblapenko) for Institut Francais. It was shown during the Festival of French Animation at Lendoc Film Studio in Saint-Petersburg, Russia
Realtime graphics and sound have been created in VVVV and Pure Data, connected via UDP. Projection has been mapped on a historical relief created by Peter Clodt. Everything was controlled by Leap Motion device.
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