credits microdee for emeshe

Themed around dog that was saved from this building doring huge flood in Pilsen, Czech Republic. Water is simulated in blender then played as series of mashes encapsulated in FBX file, worked like a charm but I am using low poly aesthetics to keep things fast and simple.

Because i am using Emeshe, i had to generate the first pass with classic camera instead of LookAtRect (shadows are mess otherwise), workflow for mapping looks like this: camera image, then distorted to make"ortho" image, then mapped with homography and set alpha fx with gradients as control

credits evvvvil - visuals / code oddjohn - music

Cynical-more-than-clinical raymarching distance fucking fields mixed with mundane polygonal noodle bullshit for lack of better post-modern essay-driven justification & mumbo-jumbo rhetoric to stroke the ego of the pretentious well-to-do norfolk-born east-london gentrificators & latte-sipping, designer-beard-stroking grueling pseudo-art clique.
Made for our own amusement, well, I was trying to impress this girl but she's only interested in weight-lifting and Ron Pearlman's gas tank.

Made in: TouchDesigner, OpenFrameWorks, CINDER, Processing using Spout, Resolame, MS PAINT, Microsoft Windows 95, Excel, Power Point to C++ exporter, Unity lame engine, EROTICA body fluid simulator, and half a sausage.

Watch the video and post it on your facebook or Pedro will kick the shit out of your hamster.

We are now taking bookings for your kids birthday parties, gas mask not included.

Special thankx to: VUX, Kyle McLean and Inigo Quilez.

Watch on Vimeo

The Mylar Topology is an audio-visual performance work intended for panoramic projection (3 screen span) and spatial sound. The piece synchronizes binaural drones with generative video simulations of liquid forms (abstracted and distorted)

Best viewed in full-screen mode

The works' liquefied polychromatic psychedelia are minimal subjective interpretations of the reflective properties of Mylar sheets. After I saw Ira Cohen's lysergic film 'Invasion of the Thunderbolt Pagoda' I learned he filmed it by pointing his camera at reflections of distorted Mylar sheets to create visual effects. The Mylar Topology is both a reflection and distortion of a (non visible) luminosity point that exists beyond/outside the screen.

Watch on Vimeo

Zeit/fenster – an interactive Installation

(EN) Inspired by a legend about the Unterberg – which is rumored to have mystical powers, extraordinary time perceptions and even time holes – the interactive installation “Zeitfenster” (time window) enables an encounter with the past. And, at the same time, sends a message to the future. This creates a communication space with a different time. Between several viewers, communication chains can emerge which are passed on by viewers to viewers.

(DE) Inspiriert von einer Legende über den Untersberg – dem mystische Kräfte und außergewöhnliche Zeitwahrnehmungen bis hin zu Zeitlöchern nachgesagt werden – ermöglicht die interaktive Installation „Zeitfenster“ das Zusammentreffen mit der Vergangenheit. Und sendet gleichzeitig eine Nachricht in die Zukunft. So entsteht ein Kommunikationsraum mit einer anderen Zeit. Zwischen mehreren Betrachter können Kommunikationsketten entstehen die von Betrachter zu Betrachter weitergegeben werden.

http://benju.net/portfolio/zeitfenster/
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Idea:
Benjamin Hohnheiser

Concept & Realisation:
Benjamin Hohnheiser
Alessandro Maggioni

Patching:
Benjamin Hohnheiser
Tebjan Halm
Matthias Husinsky
Daniel Huber

starry Background Motion Graphics:
Jörg Barton

Additional Mountain & Starry Sky Video Footage:
Layback / Mazwai, Christophe Tauziet / Mazwei
Extracted from collage, CC Attribution license 3.0 , https://creativecommons.org/licenses/by/3.0

documentation soundtrack:
Fobee – Tender Lips

very special thanks to:
Daniel Huber, Jörg Barton, Kerstin Unger, vvvv,
Schmiede Hallein, Rüdiger Wassibauer, Show2Go,
everybody in the video, and all other Smiths …

… but not to the cat