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credits Roberto Vitalini (@Bashiba) .:. Sebastiano Barbieri (@Noir) .:. www.bashiba.com

Zaryadye Concert Hall


BASHIBA Zaryadye https://vimeo.com/bashiba/organ

Inauguration of Zaryadye’s Concert Organ | 24 hours live concert
Zaryadye Concert Hall | Moscow | 29.02.2020

"The light will come to life, it will breathe and dance to the sounds produced by the organist, who will be center stage”
Daniele Finzi Pasca

Video memory by Roberto Vitalini, bashiba.com
I was part of the creative team and was present during the 24 hours. The concert offered many memorable moments, this is a mini memory, mainly for the purpose of remembering the work we have done and the fantastic skills of the organists (the sound is simply recorded with the built-in camera microphone, this is not a professional recording).

Organists in order of appearance: Winfried Boenig, Hiroko Inoue, Olivier Latry

24 Organists | 24 hours live concert | 10'000 spectators |
Sound-reactive lighting and generative video content by BASHIBA (Roberto Vitalini and Sebastiano Barbieri) for Compagnia Finzi Pasca.
bashiba.com/
finzipasca.com/en/
zaryadyehall.com/en/novosti/1926/

Bashiba, Tuesday, Mar 31st 2020 Digg | Tweet | Delicious 0 comments  

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As a long-term partner, we developed a range of presentation platforms for premium car manfufacturer BMW over the past years. Responsible for concept, technical planning, and software, we came up with solutions on show in Geneva, Paris, Shanghai, Frankfurt, Beijing or Toronto. Tailored to the individual models and their features, the combination of bespoke media content, presentation tools, and physical elements gave BMW’s product geniuses on site powerful means to conduct their pitches.

https://meso.design/en/projects/bmw-flexible-presenter-for-premium-car-manufacturer

(c) 2016 by MESO Digital Interiors GmbH

MESO, Tuesday, Mar 24th 2020 Digg | Tweet | Delicious comments on vimeo  

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FACING EXTINCTION / VIDEO INSTALLATION (Excerpt)

Facing Extinction is about the Anthropocene and Earths sixth mass extinction event

  • this time caused by us humans.

More than 30,000 species are threatened with extinction.

The IUCN RED LIST OF THREATENED SPECIES:
https://www.iucnredlist.org/

Initially exhibited as a Projection Mapping at the Goethe Universität in Frankfurt am Main:
https://vimeo.com/397189304

Take Action:
https://racingextinction.com/action/

Credits:
Gestaltet und produziert von m box,
Mit Beratung und Archivmaterial von:
Senckenberg Gesellschaft für Naturforschung
Joel Sartore / National Geographic Photo Ark
Louie Psihoyos, Oceanic Preservation Society

Mit Unterstützung von:
Stadt Frankfurt am Main,
Messe Frankfurt,
Goethe Universität, Frankfurt am Main,
Okeanos - Foundation Of The Sea,
Molco - Cling Film Experts

credits Dresden Xperience Schlösserland Sachsen,tamschickmediaspace,colorsound,vux,ndrv,usomo,matecdresden ,tempestenclosures

Official Project Site :https://www.tamschick.com/en/projects/festung-xperience/

Credits

Client

Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH

Curator

Dr. Dirk Welich

Lead Agency / General Contractor

TAMSCHICK MEDIA+SPACE GmbH

TMS Tasks

Media-Based Scenography: Creative Direction, Creative Producing, Conception, Development of Script, Audio Drama and Music, Media Design, Media Production, Media Technology, Light Design, Fittings

Creative Lead

Charlotte Tamschick

Creative Producing

Jan Köpper

Project Management

Tobias Ziegler, Hanna Stoff

Ekaterina Petrova (Assistance)

Concept

Charlotte Tamschick, Jan Köpper, Elisa Broß, Camila Bernal Samper

Art Direction

Gaël Perrin

Motion Design

Gaël Perrin, Mattis Gutsche

Software Development

COLORSOUND-IXD S.L.

Abraham Manzanares, Julien Vullet , André Viergutz

Technical Planning

Planungsbüro Seeger, Dipl.-Ing. Björn Seeger

Script and Audio Direction

SchillerWendt GbR, Christian Schiller and Marianne Wendt with TAMSCHICK MEDIA+SPACE GmbH

Sound Design and Composition

Not A Machine GbR with TAMSCHICK MEDIA+SPACE GmbH

Audio System

usomo by FRAMED immersive projects GmbH & Co. KG

Light Planning

lichttransfer, Katrin Söncksen with TAMSCHICK MEDIA+SPACE GmbH

Media Technology

MATEC GmbH

Projector Enclosures

Tempest

Fittings

Design: Karin Knott

Realization: Stahlbau Altdöbern GmbH

Special Structures

Archimedes Exhibitions GmbH
Borodesign

colorsound, Sunday, Mar 8th 2020 Digg | Tweet | Delicious 3 comments  

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Fantasie#1 is an audiovisual performance for radio telescope, artificial intelligence and self-playing organ.

Located outside of the venue, the radio telescope streams live all incoming data. The received electromagnetic waves are transferred to the audible frequency range. Electronic noises, hums and beeps fill the air. An algorithm transcribes the noise of the skies into midi tones, they are sent to an electronic apparatus operating the organ. During the play various selection and filtering processes (e.g. specific artificial intelligences) are applied in a determined order, serving as a basic score and dividing the piece into three chapters. The artists on stage have a set of parameters available to respond live to the incoming signals, using both the radio telescope and the AI as musical instruments. On the floating canvas above the stage, the sounds turn into abstract images, into a visual representation of what is heard.
Little by little, neural networks take control over the organ and seek in the non-worldly noises for known harmonies, for the smallest traces of human music. In the last chapter, ideas of melodies evolve as the artificial intelligence begins to fantasize about familiar tunes in these alien sounds.

In collaboration with Christian Losert.

Thanks to Sebastian Müllauer for the telescope and Klaus Holzapfel for his Orgamat.

Duration: 25-35 minutes

Quadrature, Friday, Mar 6th 2020 Digg | Tweet | Delicious comments on vimeo  

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Video edit of the single IRINA from the debut LP of the same title by METAMAN.
Out now on vinyl by WON TON records!
Digital distribution Just Gazing records

Follow METAMAN:

Facebook : https://www.facebook.com/metaman.ath/
Instagram : https://www.instagram.com/metaman.ath/
Bandcamp : https://metamanath.bandcamp.com/
Spotify : https://open.spotify.com/artist/3g0Bl...
Discogs : https://www.discogs.com/artist/118841...

Video by Constantine Nisidis
WEB: https://nisidis.com
FB: https://www.facebook.com/constantine.nisidis
IG: https://www.instagram.com/cnisidis

2020 WON TON ©

Time always concerned even gods, the perfect beings. Aphrodite (or Venus) is an ultimate symbol of beauty and youth that shall be destroyed in order to be preserved only as a memory.

“Irina” was entirely made in vvvv (the multipurpose toolkit) in addition FieldTrip, InstanceNoodles (both contributions from Kyle McLean) and some other custom tools, made in C# and HLSL, were used during the creation process.
The content itself is a result of an audioreactive experiment, where sound frequencies, a beat and some MIDI instructions contribute equally to the final result. Parameterization succeeds timelines and 3d -polished - graphics are being replaced by a thick grainy fog with a “raymarched” head which is constantly evolves and mutates proceduraly to noisy and abstract shapes.
The entire project is part of a purpose made and designed tool capable to support METAMAN on their live shows as a real-time content generator, therefore this version of the video is just one yield or a variation of a bigger abstract-visual dynamo.

c nisidis, Friday, Mar 6th 2020 Digg | Tweet | Delicious comments on vimeo  

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Refik Anadol
Latent Being
Kraftwerk Berlin
23.11.2019 – 05.01.2020

Latent Being is the new site-specific installation by Refik Anadol, pioneer in the aesthetics of artificial intelligence. The work responds to the cathedral-like concrete vastness of Kraftwerk Berlin, a former East Berlin power-plant. Visitors will walk through the immersive, interactive environment, in which data relating to the city, the architecture and the visitors will be transformed into hallucinogenic, large-scale AI data paintings. By using a cutting-edge deep learning algorithm to create this interactive AI-human constellation, Anadol challenges our perception of ‘space’ and our relationship with AI machines.

Sound Design by Kerim Karaoglu

filmed at Kraftwerk Berlin
23.11.2019
Commissioned by LAS Light Art Space

Video production: Hiroo Tanaka
Director of Photography: Cornelius Diemer
Assistant Camera: Hans Goedecke
Editor: Paul Bröse

© Refik Anadol Studio
© LAS Light Art Space

LAS Media, Saturday, Feb 1st 2020 Digg | Tweet | Delicious comments on vimeo  

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All Prophets Are Wrong is a sound space governed by the capture of particles coming from the background radiation through a Geiger Counter. The random intervals of the radiation detections are linked to an internal random process of the system that hosts them, which generates the wandering of these signals through 9 bells of old clocks. Released from their original function, the bells are no longer obliged to give the hours, but instead, they count the unpredictable rhythm of invisible particles coming from space.
Following the capricious occurrence of these particles, the bells can remain silent or be activated, and depending on their order and rhythm, occasionally get into resonance between them. Through that subtle listening layer, those resonances and silences seem to want to talk about another quality of links and stories.

All Prophets Are Wrong is part of the project Little Dramaturgy for Technical Objects

Production: Huarte Contemporary Art Center. Government of Navarra.

Software: vvvv

patxi araujo, Thursday, Jan 30th 2020 Digg | Tweet | Delicious comments on vimeo  

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Enel Green Power, 2019
Taccani Hydroelectric Station, Trezzo sull'Adda (Mi)

Interaction and Exhibition design by Dotdotdot
with Andrej Boleslavsky, Toby Knyvett, Lucio La Pietra, Sacrèm Studio
Storytelling by Storyfactory
Video by Malaka

Dotdotdot, Saturday, Jan 25th 2020 Digg | Tweet | Delicious comments on vimeo  

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LANDSCAPE

Audiovisual , Laser + video mapping

www.binder-a.com

Binder-a, Tuesday, Jan 21st 2020 Digg | Tweet | Delicious comments on vimeo  

anonymous user login

Shoutbox

~19h ago

karistouf: https://vimeo.com/405806502 30mn realtime. Merci Joreg and all the crew for this beautifull tool, merci Clemens for D.O.P.E

~1d ago

kamome: both, problem in ffmpeg was that windows do not have a title to grab

~1d ago

joreg: @kamome: you mean the patch or the Renderer? either way nothing built-in yet. You'd use sth like https://obsproject.com/

~2d ago

kamome: hei is there any way to record gamma patch / renderer with ffmpeg ?

~3d ago

vasilis: Hi @Joreg..I'm interested in "Getting started with vvvv gamma"

~4d ago

joreg: @vasilis we'll add more. which one are you interested in?

~4d ago

vasilis: missed my chance again...sold out!!!

~4d ago

Takuma: @joreg thanks for sharing!!

~6d ago