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Water Illumination is an audiovisual project that presents documentary video of water surface, filmed in bright sunlight. The video is explored with algorithmic methods, which create sound waves and change the representation of video. This research, breaking in the documentary, shapes the new perception of observed substance.
Presence of the technology allows to learn something new, and at the same time changes observed phenomena of the reality and environmental factors. Comparing what is happening with the preceding information of personal experience, one can note the permanency in phenomenon essence perception. The documentary video, showing water droplets and the shining sunlight refracted in them, continues to exist despite the digital transformation.
The continuity of the observer's connection with reality allows us to feel the dynamics of changes in environment, where the use of resources and technologies changes the foundations of the life cycle.
Presented in abstract form, the image of water appeals to unconscious and sensory experience, it is reflected in the deep understanding of reality.
Video, realtime computer graphics and sound.
Presented at ECHO exhibition at Proun Moscow 2018
Permanent reactive light installation located in Haifa, Israel.
The work explores variations of hexagonal grid led stripes along the walls and ceiling of the corridor.
The tangent of the hexagons to each other forming several other forms such as cube, parallelogram, rhombus, trapezoid, triangle, arrow, x shape and diagonal.
Audio analysis of sounds from the road and passing people manipulates the light.
The work is a of cooperation product of Intel, Haifa municipality and Hadar community.
Saron Paz - Curator, Entrepreneur
Shaul Tzemach - Creative, Production
Marko Ritter https://www.intolight.de - Supervision
Amir Markovitch - Technical Support
Enchanted by the success of technical inventions, humanity creates new tools, machines and algorithms. They work more or less autonomously and bring active transformations of spaces.
In this project, we refer to the concept of “field”. The collective image of the field is a symbol of the space of vital opportunities, emptiness and freedom. On photogrammetric models of real landscapes, algorithmic structures are being created. The surface of the landscape is analysed and its outlines become the basis for the construction of abstract forms.
The concept of “field” is juxtaposed with the image of the algorithmic process, seen as a metaphor for technological progress. The digital environment makes contact with reality. Observing how the algorithm creates the forms on the field, one can see how the landscape is changing. This symbolic image translates the experience of the dynamics of the present and visions of the future.
This work was presented in project of Ars Electronica “Future Humanity – Our Shared Planet”, in collaboration with Hyundai Motor Group.
Hyundai Motor Studio, Moscow 2018-19.
Generative piece for the 'Luch' festival
Presented on the media facade of Eltsin center in Ekaterinburg 1.03.2019.
Produced within few hours with vvvv and custom shaders, recorded in one shot as a live VJ mix.
Sound: Cisfinitum 'Auyaea'
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