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Combining mobile robotics and projection mapping, Phyxelbots explores the future of playful learning environments. Merging digital spaces of information, with physical spatial interaction, a community of kinetic interactive objects perform in response to human gesture and can also organise into pre-coded configurations. Experiments in the Lab have explored their potential applications as teaching aids, narrating stories, participating in group educational games (such as colour mixing seen in the film), and serving as personal companion devices for children.
The project was developed by Menglin Wang and Somya Chaturvedi as a part of their Masters in Architecture B-Pro programme at The Bartlett School of Architecture.
On 11 November 1965, J. Beuys walked, in the context of an art exhibition, with a dead hare in his arms, hugging and whispering to her. He called it How to Explain Pictures to a Dead Hare. His face was bathed in honey and gold dust, and a foot wrapped in felt dragged a copper plate over the floor. Everything was prepared to understand the potentialities and connectivities –both symbolic and physical- of that encounter like a shamanic and performative act; also as an arrangement of elements or data that would allow cross flow meanings and information. A whole combination of alchemical transits and thoughts...
We thought he was who explained the works of art -the meaning of art- to the dead hare. What we never knew, and now we speculate with this, is that he might be asking to the hare: please dear, could you explain it to me?
3th International Festival of Musical Experimentation After Cage
October 18, 2016. Iruña/Pamplona (Spain)
5 October 2016
SwissTech Convention Center, Lausanne, Switzerland.
Performance at "La Soirée de l'Espoir" event, organized by IRP Foundation.
Visuals by Natan Sinigaglia
Music by Maurice Ravel
Performed by Maxim Vengerov and the International Menuhin Music Academy Orchestra.
Wendt & Kühn is a traditional manufacturer in the Ore Mountains. Ever since 1915, it produces painted wooden figures and music boxes by hand, that find aficionados and collectors all over the world.
On time for the company's centenary a new center of information was opened at their headquarter in Grünhainichen, Saxony. Visitors can now explore the entire process -from the forrest to the cabinet- and try their hands on all steps with our interactive exhibits.
Report of the art residency we did in August 2016 in Kanazawa, Japan.
a collaboration between the artists Joanie Lemercier and Atsushi Ichikawa
Organized by the UNESCO creative cities of Kanazawa and Enghien-les-Bains.
Artist production: Juliette Bibasse
A coproduction from the Centre des arts d'Enghien, a subsidized media arts center
Nicolas Bernier - 6Pst
Yair Elazar Glotman - Blessed innitiative
/04 Xanax interlude (Relax!)
/05 Delirium juice & taste of jewelry
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