about Immersive Experiences Riva Caccia 1d P.O. Box 5236 6900 Lugano website contact BASHIBA.com has acquired at least one vvvv license in the past. people Bashiba Noir

projects BASHIBA Darkness posted on 26.05.17 BASHIBA ATOM posted on 02.05.17 BASHIBA Human Machine posted on 20.02.17 BASHIBA Synth posted on 10.02.17 BASHIBA Kinect posted on 19.12.16 BASHIBA Zen posted on 25.11.16 Study for Portrait // Real-Time posted on 18.10.16 Music Visualization - Test 02 posted on 12.05.16 Music Visualization - Test 01 posted on 02.05.16

BASHIBA T1gers | Video Mapping

BASHIBA Red Dream | Shenzhen | Public Media Artwork

BASHIBA Rouen Cathedral in light | Video Mapping

BASHIBA Zaryadye | Real-Time Music Visualization

BASHIBA Zen | Real-Time Music Visualization // Generative Art

BASHIBA Darkness | Generative Arthttps://vimeo.com/bashiba/darkness

BASHIBA Avudo | Generative Arthttps://vimeo.com/bashiba/avudo

2 million particles in real-time

Video Design and Mapping for the Opera "La Traviata"

Roberto is the founder and creative director of BASHIBA, a company dealing in imaginary universes, video art, interactive art and video scenography. In 2006 he founded BASHIBA to design real-time data metaphors (Bashiba Panorama) to sense and intuitively understand complex, multivariate data changes through an immersive three-dimensional seascape. In 2009, Roberto started collaborating with Daniele Finzi Pasca, creating his first video scenography using BASHIBA Panorama for the opera L’Amour de Loin (Love from Afar) at the English National Opera in London and thus entered the performing arts and cultural events industry.

I. Important Productions:
Sochi Olympic Games (2014), Fisht Olympic Stadium, Russia
Created the volumetric videos for the massive kinetic LED sculpture featuring over 20km of video LED strips for the Olympic closing ceremony and the Paralympic opening ceremony.
Avudo (2017), Montréal, Canada, 249000 spectators. Created the generative content for the outdoor video projection (120 meters x 50 meters video surface).
Fête des Vignerons (2019), Switzerland, 375’000 spectators, part of UNESCO’s Intangible Cultural Heritage. Created the generative videos for the world’s largest outdoor led floor 783 m2.
Zaryadye Concert Hall in Moscow (2020): an immersive installation where 24 of the best organists in the world took it in turns to play for 24 hours non-stop.

II. Video Design for Opera:
Roberto is currently working on the video design for the Symphony of Sorrowful Songs, Henryk Górecki (English National Opera, 2023). He has been video set designer for the operas Les Contes d' Hoffmann - Hoffmanns Erzählungen (Staatsoper Hamburg 2021), Einstein on the Beach (Grand Théâtre de Genève 2019), Carmen (Teatro San Carlo, 2015 and 2017), La Traviata (Mariinsky II Theatre, 2015, now in the repertoire), L’Amour de loin (English National Opera, 2009, the Vlaamse Opera, 2010, and the Canadian Opera Company, 2012), Aida (Mariinsky Theatre, 2011, now in the repertoire and recipient of a nomination for the Golden Mask), Messa da Requiem by Giuseppe Verdi (Mariinsky Theatre, 2012, now in the repertoire).

III. Video Mapping & Public Media Artwork:
T1gers | Chongqing International Light Art Festival (2023 Video Mapping, China), BASHIBA Red Dream | Shenzhen (2022 Public Media Artwork, China), Rouen Cathedral in Light (2022 Video Mapping, point cloud trip for CosmoAV, France).

IV. Video Design for Theatre & Show-Installation:
Azul (2022, with Stefano Accorsi), Nuda (2021, ongoing world tour), Luna Park (2020, show-installation), Abrazos (2019, presented at the fair Feria de León in Mexico to an audience of 200,000 spectators), Per Te (2016, ongoing world tour), Bianco su Bianco (2014, ongoing world tour), La Verità (2013, ongoing world tour) and Donka - A Letter to Chekhov (2010, ongoing world tour).