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A reactive choreography of the digital and the physical.
Inspiration Wall is a spatial kinetic installation situated in the foyer of the Innovation Center. Being processual, dynamic and interactive, the installation symbolizes the interplay between inspiration and innovation, and giving the foyer its unique identity.

The dynamic interaction between the physical movement of the screens and the virtual movement of the images follows a generative choreography. The screens interact with the moving images and vice versa.

The moving images are created processually and in real-time, within a predefined spectrum. The numerous scenes are generated on the basis of ten ‘visual worlds’. Their generative elements create ever-changing visuals. The abstract imagery is inspired by four material properties – crystalline, cellular, molecular, and fluid. Four graphic ‘transitions’ seamlessly interconnect the individual scenes.

The installation changes its appearance over the course of the day. Depending on the scene, the installation responds to the visitors. With more people moving through the foyer, the dynamics of the choreography increase. The special screens shine brighter at the onset of darkness, making the installation protrusive to viewers outside the building. With the decline in numbers of visitors towards the end of the day, the choreography calms down.

In collaboration with ART+COM Studios.

Software: VVVV, VL

More information here:
http://schnellebuntebilder.de/projects/inspiration-wall/

Camera / Editing: Robert Arnold https://vimeo.com/user9938695

Video ©schnellebuntebilder/ART+COM Studios

Inspiration Wall

Hi all,
we'd like to share our latest VVVV / VL project.
In collaboration with ART+COM. We breathed life into a kinetic installation, which explores a dynamic interaction between the digital and the physical. In this choreography the screens interact with generative images and vice versa in real time.

More information and project video:http://schnellebuntebilder.de/projects/inspiration-wall/

All the visuals are procedurally created in VVVV to interact with the movement of the screens.
We researched a couple of generative algorithms and approaches for this project and implemented a deferred shading pipeline for raymarched content. This was used for 3D reaction diffusion and growth systems and also to shade the 3D fluid system we've been developing over the last year.
lasal supported us with a couple of conents. A fair part of the project was implemented in VL. For example the pre-simulation of the screen movements, which ensured valid driving data for the motors. We also used the VL based timeline of lasal and implemented a content switcher system in VL, which selected contents based on a set of rules and distributed scene parameters like colors between the content patches.

Content Motion-Reel:https://vimeo.com/295602967

mburk, Thursday, Nov 29th 2018 Digg | Tweet | Delicious 11 comments  

credits superphysical for rendering, noodles for mesh effects, VL for application control - animation, generating timeline, controlling MIDI for sound etc., ableton + reaktor for sound

https://borisvitazek.com/

StiX, Wednesday, Nov 28th 2018 Digg | Tweet | Delicious 1 comments  

credits music::beaumont hannant-psio-onyx (autechre mix)

liquid_A
liquid_B
liquid_C
udo2013, Sunday, Nov 25th 2018 Digg | Tweet | Delicious 2 comments  

credits dmitriy khakhubiya r00m23

realtime soundreactive 3d heart

https://vimeo.com/301619067

khakubiya, Monday, Nov 19th 2018 Digg | Tweet | Delicious 0 comments  

credits Music by Cave Raver | Video by Achim Kolba | Performance by Linda Ginger and Achim Kolba

please watch in full resolution

aeckheim, Monday, Nov 19th 2018 Digg | Tweet | Delicious 2 comments  

credits Emilio Cordero Checa - Susana Viñolo

Punto de Rocío

https://youtu.be/8MdttEaS2xY

We used humidity and temperature sensors to modify the color and intensity of light.

The water is a constant in the life of Bilbao, by the river that runs through the city, the moisture of the atmosphere and almost daily rain.

Punto de rocío 11.5 is an interactive light installation inspired by the study of the city of Bilbao by its humidity. Like stalactites formed in the area of Deusto bridge, we invaded an uninhabited space, giving it life again through technology and light.

EmilioCorderoCheca, Friday, Nov 16th 2018 Digg | Tweet | Delicious 0 comments  

https://vimeo.com/300656218

Second part of a trilogy, titled by 'as promised' (Impression, as promised 2, message in a bottle

baxtan, Wednesday, Nov 14th 2018 Digg | Tweet | Delicious 2 comments  

credits Emilio Cordero Checa Andrea Moreno Orts Software: VVVV

Transcripción 3.0

https://vimeo.com/298886623

We used vvvv to manipulate and spatialise the sound in an 8.1 sound system with the movement of the tattoo machine, also to create real time visuals and finally to control the lights with audio using dmx.

THE USE OF HEADPHONES IS RECOMMENDED TO HEAR THE BINAURAL RECORDING PROPERLY!

Originally, the purpose of the tattoo went beyond aesthetics and contained narratives within each of the cultures that practiced it, developing unique symbols around each one. Achieving great popularity in recent years, the rituality of the act has transformed, progressively pulling away the tatoo from the world of senses. It has become only a commercial good. Through this project we intend to detach from the common archetype of the tattoo and its current practice. We present a whole new series of still unknown formulations in order to experience tattooing from different sensual routes and enhance the act of tattooing.

Transcripción 3.0 is a series of live experimental acts where, through the practice of tattooing with the use of new technologies, our aim is to transcribe into the bodies of both performers and audience a series of sound and luminous phenomena. A new tattoo practice is proposed, using technology to reinforce the sensory act.

In the performance there are three figures; the tattoo artist, the Tattoo and the interface (software and hardware), functioning independently but connected by the same space and time. By the act of feedback the body and the machine communicate with each other through data, fluids, movement and sensations. The new tattoo is revealed not only in the wound - by attaching sensors to the tattoo machine and extracting data we open the possibility of transcribing this information using the displacement of the sound waves and the movement of light to affect the senses of vision, hearing and touch.

EmilioCorderoCheca, Tuesday, Nov 6th 2018 Digg | Tweet | Delicious 0 comments  

anonymous user login

Shoutbox

~20h ago

tonfilm: Creative coder wanted: https://discourse.vvvv.org/t/creativvvve-coder-in-residence-2020/18283 vvvv visualprogramming #creativecoding #xenko #dotnet #berlin #internship #residency

~2d ago

metrowave: Collection of replicable research: http://www.replicabilitystamp.org/

~2d ago

~6d ago

joreg: @ravazquez always trying to diversivvvvy...

~6d ago

ravazquez: I did not know you were making plates as well: http://www.clairewan.com/

~10d ago

evvvvil: "Pounding Aldebaran" raymarching shader live coded on Twitch. https://www.shadertoy.com/view/tt3SWB

~10d ago

~11d ago

joreg: Tomorrow Thrs, Feb 12: #vvvv Patching Circle: We're there to help! https://gettogether.community/events/3965/vvvv-berlin-patching-circle-5/ No excuses, it's free and there are drinks!

~16d ago

evvvvil: "The reaper's gallows" shader live coded on twitch. Abrasive comments back by popular demand. https://www.shadertoy.com/view/ttcSD4