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CristiCons set for ResoluteNyc remote showcase
full stream at https://www.facebook.com/ReSoluteEventsNYC/videos/698614180908249/
credits autechre - bronchus24
my visuals are algorithmic compositions. I compose visual music with parameter morphings. shapes and process. many parameters at the same time, from which I expect different effects. from experience or as a new idea. some of these work in opposite directions and together create unexpected reactions. I can deal with these spontaneously and immediately with many midi controllers and pc keys that control the basic parameters. Five different visuals can easily be created in a few days and nights in a row. on a piece of music very different versions, of which I see: I don't have it yet. pointless to include the sixth version. at intervals, sometimes weeks later, I work on it again. and sometimes I see: that's it !! (music has many aspects: shape, energy, mood, tempo .. I try to visualize at least some of them at the same time)
credits Roberto Vitalini (@Bashiba) .:. Sebastiano Barbieri (@Noir) .:. www.bashiba.com
BASHIBA Zaryadye https://vimeo.com/bashiba/organ
Inauguration of Zaryadye’s Concert Organ | 24 hours live concert
Zaryadye Concert Hall | Moscow | 29.02.2020
"The light will come to life, it will breathe and dance to the sounds produced by the organist, who will be center stage”
Daniele Finzi Pasca
Video memory by Roberto Vitalini, bashiba.com
I was part of the creative team and was present during the 24 hours. The concert offered many memorable moments, this is a mini memory, mainly for the purpose of remembering the work we have done and the fantastic skills of the organists (the sound is simply recorded with the built-in camera microphone, this is not a professional recording).
Organists in order of appearance: Winfried Boenig, Hiroko Inoue, Olivier Latry
24 Organists | 24 hours live concert | 10'000 spectators |
Sound-reactive lighting and generative video content by BASHIBA (Roberto Vitalini and Sebastiano Barbieri) for Compagnia Finzi Pasca.
As a long-term partner, we developed a range of presentation platforms for premium car manfufacturer BMW over the past years. Responsible for concept, technical planning, and software, we came up with solutions on show in Geneva, Paris, Shanghai, Frankfurt, Beijing or Toronto. Tailored to the individual models and their features, the combination of bespoke media content, presentation tools, and physical elements gave BMW’s product geniuses on site powerful means to conduct their pitches.
(c) 2016 by MESO Digital Interiors GmbH
FACING EXTINCTION / VIDEO INSTALLATION (Excerpt)
Facing Extinction is about the Anthropocene and Earths sixth mass extinction event
More than 30,000 species are threatened with extinction.
The IUCN RED LIST OF THREATENED SPECIES:
Initially exhibited as a Projection Mapping at the Goethe Universität in Frankfurt am Main:
Gestaltet und produziert von m box,
Mit Beratung und Archivmaterial von:
Senckenberg Gesellschaft für Naturforschung
Joel Sartore / National Geographic Photo Ark
Louie Psihoyos, Oceanic Preservation Society
Mit Unterstützung von:
Stadt Frankfurt am Main,
Goethe Universität, Frankfurt am Main,
Okeanos - Foundation Of The Sea,
Molco - Cling Film Experts
credits Dresden Xperience Schlösserland Sachsen,tamschickmediaspace,colorsound,vux,ndrv,usomo,matecdresden ,tempestenclosures
Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH
Dr. Dirk Welich
TAMSCHICK MEDIA+SPACE GmbH
Media-Based Scenography: Creative Direction, Creative Producing, Conception, Development of Script, Audio Drama and Music, Media Design, Media Production, Media Technology, Light Design, Fittings
Tobias Ziegler, Hanna Stoff
Ekaterina Petrova (Assistance)
Charlotte Tamschick, Jan Köpper, Elisa Broß, Camila Bernal Samper
Gaël Perrin, Mattis Gutsche
Abraham Manzanares, Julien Vullet , André Viergutz
Planungsbüro Seeger, Dipl.-Ing. Björn Seeger
SchillerWendt GbR, Christian Schiller and Marianne Wendt with TAMSCHICK MEDIA+SPACE GmbH
Not A Machine GbR with TAMSCHICK MEDIA+SPACE GmbH
usomo by FRAMED immersive projects GmbH & Co. KG
lichttransfer, Katrin Söncksen with TAMSCHICK MEDIA+SPACE GmbH
Design: Karin Knott
Realization: Stahlbau Altdöbern GmbH
Archimedes Exhibitions GmbH
Fantasie#1 is an audiovisual performance for radio telescope, artificial intelligence and self-playing organ.
Located outside of the venue, the radio telescope streams live all incoming data. The received electromagnetic waves are transferred to the audible frequency range. Electronic noises, hums and beeps fill the air. An algorithm transcribes the noise of the skies into midi tones, they are sent to an electronic apparatus operating the organ. During the play various selection and filtering processes (e.g. specific artificial intelligences) are applied in a determined order, serving as a basic score and dividing the piece into three chapters. The artists on stage have a set of parameters available to respond live to the incoming signals, using both the radio telescope and the AI as musical instruments. On the floating canvas above the stage, the sounds turn into abstract images, into a visual representation of what is heard.
Little by little, neural networks take control over the organ and seek in the non-worldly noises for known harmonies, for the smallest traces of human music. In the last chapter, ideas of melodies evolve as the artificial intelligence begins to fantasize about familiar tunes in these alien sounds.
In collaboration with Christian Losert.
Thanks to Sebastian Müllauer for the telescope and Klaus Holzapfel for his Orgamat.
Duration: 25-35 minutes
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