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credits Raresh, SunriseHub, NSYNK

Raresh set for Sunwaves live stream (instead of festival)
thanks to NSYNK for decklink

ggml, Saturday, May 9th 2020 Digg | Tweet | Delicious 0 comments  

credits CristiCons

CristiCons set for ResoluteNyc remote showcase
full stream at https://www.facebook.com/ReSoluteEventsNYC/videos/698614180908249/

ggml, Sunday, Apr 19th 2020 Digg | Tweet | Delicious 3 comments  

credits autechre - bronchus24

my visuals are algorithmic compositions. I compose visual music with parameter morphings. shapes and process. many parameters at the same time, from which I expect different effects. from experience or as a new idea. some of these work in opposite directions and together create unexpected reactions. I can deal with these spontaneously and immediately with many midi controllers and pc keys that control the basic parameters. Five different visuals can easily be created in a few days and nights in a row. on a piece of music very different versions, of which I see: I don't have it yet. pointless to include the sixth version. at intervals, sometimes weeks later, I work on it again. and sometimes I see: that's it !! (music has many aspects: shape, energy, mood, tempo .. I try to visualize at least some of them at the same time)

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udo2013, Friday, Apr 17th 2020 Digg | Tweet | Delicious 0 comments  

Watch on Vimeo

Music video
soundcloud.com/andrei-0id

stain, Friday, Apr 17th 2020 Digg | Tweet | Delicious comments on vimeo  

credits Roberto Vitalini (@Bashiba) .:. Sebastiano Barbieri (@Noir) .:. www.bashiba.com

Zaryadye Concert Hall


BASHIBA Zaryadye https://vimeo.com/bashiba/organ

Inauguration of Zaryadye’s Concert Organ | 24 hours live concert
Zaryadye Concert Hall | Moscow | 29.02.2020

"The light will come to life, it will breathe and dance to the sounds produced by the organist, who will be center stage”
Daniele Finzi Pasca

Video memory by Roberto Vitalini, bashiba.com
I was part of the creative team and was present during the 24 hours. The concert offered many memorable moments, this is a mini memory, mainly for the purpose of remembering the work we have done and the fantastic skills of the organists (the sound is simply recorded with the built-in camera microphone, this is not a professional recording).

Organists in order of appearance: Winfried Boenig, Hiroko Inoue, Olivier Latry

24 Organists | 24 hours live concert | 10'000 spectators |
Sound-reactive lighting and generative video content by BASHIBA (Roberto Vitalini and Sebastiano Barbieri) for Compagnia Finzi Pasca.
bashiba.com/
finzipasca.com/en/
zaryadyehall.com/en/novosti/1926/

Bashiba, Tuesday, Mar 31st 2020 Digg | Tweet | Delicious 0 comments  

Watch on Vimeo

As a long-term partner, we developed a range of presentation platforms for premium car manfufacturer BMW over the past years. Responsible for concept, technical planning, and software, we came up with solutions on show in Geneva, Paris, Shanghai, Frankfurt, Beijing or Toronto. Tailored to the individual models and their features, the combination of bespoke media content, presentation tools, and physical elements gave BMW’s product geniuses on site powerful means to conduct their pitches.

https://meso.design/en/projects/bmw-flexible-presenter-for-premium-car-manufacturer

(c) 2016 by MESO Digital Interiors GmbH

MESO, Tuesday, Mar 24th 2020 Digg | Tweet | Delicious comments on vimeo  

Watch on Vimeo

FACING EXTINCTION / VIDEO INSTALLATION (Excerpt)

Facing Extinction is about the Anthropocene and Earths sixth mass extinction event

  • this time caused by us humans.

More than 30,000 species are threatened with extinction.

The IUCN RED LIST OF THREATENED SPECIES:
https://www.iucnredlist.org/

Initially exhibited as a Projection Mapping at the Goethe Universität in Frankfurt am Main:
https://vimeo.com/397189304

Take Action:
https://racingextinction.com/action/

Credits:
Gestaltet und produziert von m box,
Mit Beratung und Archivmaterial von:
Senckenberg Gesellschaft für Naturforschung
Joel Sartore / National Geographic Photo Ark
Louie Psihoyos, Oceanic Preservation Society

Mit Unterstützung von:
Stadt Frankfurt am Main,
Messe Frankfurt,
Goethe Universität, Frankfurt am Main,
Okeanos - Foundation Of The Sea,
Molco - Cling Film Experts

credits Dresden Xperience Schlösserland Sachsen,tamschickmediaspace,colorsound,vux,ndrv,usomo,matecdresden ,tempestenclosures

Official Project Site :https://www.tamschick.com/en/projects/festung-xperience/

Credits

Client

Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH

Curator

Dr. Dirk Welich

Lead Agency / General Contractor

TAMSCHICK MEDIA+SPACE GmbH

TMS Tasks

Media-Based Scenography: Creative Direction, Creative Producing, Conception, Development of Script, Audio Drama and Music, Media Design, Media Production, Media Technology, Light Design, Fittings

Creative Lead

Charlotte Tamschick

Creative Producing

Jan Köpper

Project Management

Tobias Ziegler, Hanna Stoff

Ekaterina Petrova (Assistance)

Concept

Charlotte Tamschick, Jan Köpper, Elisa Broß, Camila Bernal Samper

Art Direction

Gaël Perrin

Motion Design

Gaël Perrin, Mattis Gutsche

Software Development

COLORSOUND-IXD S.L.

Abraham Manzanares, Julien Vullet , André Viergutz

Technical Planning

Planungsbüro Seeger, Dipl.-Ing. Björn Seeger

Script and Audio Direction

SchillerWendt GbR, Christian Schiller and Marianne Wendt with TAMSCHICK MEDIA+SPACE GmbH

Sound Design and Composition

Not A Machine GbR with TAMSCHICK MEDIA+SPACE GmbH

Audio System

usomo by FRAMED immersive projects GmbH & Co. KG

Light Planning

lichttransfer, Katrin Söncksen with TAMSCHICK MEDIA+SPACE GmbH

Media Technology

MATEC GmbH

Projector Enclosures

Tempest

Fittings

Design: Karin Knott

Realization: Stahlbau Altdöbern GmbH

Special Structures

Archimedes Exhibitions GmbH
Borodesign

colorsound, Sunday, Mar 8th 2020 Digg | Tweet | Delicious 3 comments  

Watch on Vimeo

Fantasie#1 is an audiovisual performance for radio telescope, artificial intelligence and self-playing organ.

Located outside of the venue, the radio telescope streams live all incoming data. The received electromagnetic waves are transferred to the audible frequency range. Electronic noises, hums and beeps fill the air. An algorithm transcribes the noise of the skies into midi tones, they are sent to an electronic apparatus operating the organ. During the play various selection and filtering processes (e.g. specific artificial intelligences) are applied in a determined order, serving as a basic score and dividing the piece into three chapters. The artists on stage have a set of parameters available to respond live to the incoming signals, using both the radio telescope and the AI as musical instruments. On the floating canvas above the stage, the sounds turn into abstract images, into a visual representation of what is heard.
Little by little, neural networks take control over the organ and seek in the non-worldly noises for known harmonies, for the smallest traces of human music. In the last chapter, ideas of melodies evolve as the artificial intelligence begins to fantasize about familiar tunes in these alien sounds.

In collaboration with Christian Losert.

Thanks to Sebastian Müllauer for the telescope and Klaus Holzapfel for his Orgamat.

Duration: 25-35 minutes

Quadrature, Friday, Mar 6th 2020 Digg | Tweet | Delicious comments on vimeo  

anonymous user login

Shoutbox

~2d ago

NoseBleedIndustries: Please, integration with this low cost mechanical display, so beautiful! https://www.vestaboard.com/

~2d ago

NoseBleedIndustries: Please, integration with this low cost mechanical display, so beautiful! https://www.vestaboard.com/

~6d ago

joreg: @mediadog they are here: workshop-videotracking-node10

~7d ago

mediadog: Hmmm slides for node10 video tracking cannot be found: workshop-videotracking-slides

~8d ago

joreg: @mediadog thanks for the pointer, links are updated

~8d ago

mediadog: Where are the 50beta42 offline instalers? The offline installers are still linked to 41, not 42.

~12d ago

id144: thanks @gegenlicht & @bjoern, i hope the festival sorted it.

~14d ago

Patxi7: @joreg done