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Cinema Vertigo is an interactive audiovisual environment. It is a mobile form of interactive experimental cinema: it exposes the perceptional effect of induced movement - formerly often used by the moving camera in film - and transforms it into a new spacial constellation. Cinema Vertigo’s most distinctive feature is its huge vertical screen format, aligned along the tower of a glass elevator.
Digital Slaves and Kaalam have develloped a new system for real time calligraphy and drawing.
This system reproduces the calligraphic feeling and adds some new features from the digital world.
The system is composed of one camera at 60 fps, a home made lamp and a touch screen.
The touch interface allows the calligrapher to choose textures, width and height and also colors of the line.There is also some blending features.
The rendering can be adapted to multiscreen projection via the touch interface.
This system can be easily adapted to a different kind of drawing.
This project is still in process
All running in real time using vvvv
This 3D-tracking-prototype was part of my Master Thesis in Interaction Design. I was designing for the Radiologists Reading Room.
I am tracking the position and orientation of a pen in free 3D space. So you can use the pen to mark and view a 3 dimensional CT-scan.
here is a video of the prototype
more information can be found here, you can also download the patch from there and the 3D files.
This project was created for my final-year fine-art exam. Using different coloured paint brushes, a viewer could "paint" sound and image.
The brushes, dipped in fluorescent paint, were tracked. Position data selected slices of pre-sampled jazz (sliced into bars). Images were generated by a combination of position data, data from the FFT of the jazz, and images of paintings which were exhibited along with the interactive work.
FOUR INVISIBLE CITIES
for electroacoustic cello, live electronics and live video
Guido Boselli, electroacoustic cello
The live video reacts to the cello input (amplitude) or to the live electronics performer.
Moscow, VDNKh, "Kosmos" pavilion, Faces & Laces exhibition 2009
Formerly, there were models and real samples of satellites and flying vehicles demonstrated under the vault of "Kosmos" pavilion.
Now, when people lost control over these devices, in space trash settled barabashkas, as in a desolate house.
Screen 7x4 metres of 4 triangles is an image of a broken satellite fragment. It reflects numerous satellites and debris on the Earth orbit. When the camera fixes high people activity, little luminous ghosts ("barabashka" in russian) appear and reflection is replaced by coloured patterns.
At Mayday 2009 vvvv was used to control most video installations on the main floor in Hall 1 of the Westfalenhallen Dortmund.
The most eye catching installation was a 3d LED matrix consisting of 16x16x56=14336 G-LEC solaris RGB-LED Balls with a total dimension af apprx. 10x10x7m flown in the middle of the hall.
The main goal of ROSPO is to be the core of a bigger creation process in which the architect takes part as "data selector" and "audiovisual suggestions user".
The name "rospo" stands for the italian noun for "toad". The behaviour of this machine is very similar to a toad: extremely sensitivity to movements coming from environment. Every kind of "reaction" of Rospo system will be due to the audiovisual trasformation of the environment
infos & videos here >>t-FATA
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