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This project was created for my final-year fine-art exam. Using different coloured paint brushes, a viewer could "paint" sound and image.
The brushes, dipped in fluorescent paint, were tracked. Position data selected slices of pre-sampled jazz (sliced into bars). Images were generated by a combination of position data, data from the FFT of the jazz, and images of paintings which were exhibited along with the interactive work.
FOUR INVISIBLE CITIES
for electroacoustic cello, live electronics and live video
Guido Boselli, electroacoustic cello
The live video reacts to the cello input (amplitude) or to the live electronics performer.
Moscow, VDNKh, "Kosmos" pavilion, Faces & Laces exhibition 2009
Formerly, there were models and real samples of satellites and flying vehicles demonstrated under the vault of "Kosmos" pavilion.
Now, when people lost control over these devices, in space trash settled barabashkas, as in a desolate house.
Screen 7x4 metres of 4 triangles is an image of a broken satellite fragment. It reflects numerous satellites and debris on the Earth orbit. When the camera fixes high people activity, little luminous ghosts ("barabashka" in russian) appear and reflection is replaced by coloured patterns.
At Mayday 2009 vvvv was used to control most video installations on the main floor in Hall 1 of the Westfalenhallen Dortmund.
The most eye catching installation was a 3d LED matrix consisting of 16x16x56=14336 G-LEC solaris RGB-LED Balls with a total dimension af apprx. 10x10x7m flown in the middle of the hall.
The main goal of ROSPO is to be the core of a bigger creation process in which the architect takes part as "data selector" and "audiovisual suggestions user".
The name "rospo" stands for the italian noun for "toad". The behaviour of this machine is very similar to a toad: extremely sensitivity to movements coming from environment. Every kind of "reaction" of Rospo system will be due to the audiovisual trasformation of the environment
infos & videos here >>t-FATA
At this year’s TOCA ME Design Conference in Munich, international renowned speakers were invited to deliver insight into their work. The speakers included Joshua Davis (USA), Bradley Munkowitz alias Gmunk (USA), Jeremy Thorp (Canada), Joel Gethin Lewis (UK), Jason Levine of Adobe (USA) and Strukt, who all talked about the topic “Hit by Inspiration”.
Strukt was invited to install the interactive 70inch table Struktable in the exhibition area and to speak at the conference in addition to designing the opening titles for the conference.
DATAFLUX 0.1 gallery installation by Kit Webster at RMIT in Melbourne, Australia. Using vvvv, with digital projection beamed onto DMX mirror, allowing 180 degree displacement. Mapped to pillars with sound and strobe light synchronisation.
Catweasel was commisioned to provide custom visuals and a vvvv server for Harrods store in Terminal 5 Heathrow. The dome installation was designed by Fitch and uses Color Kinetics iFlex.
Unforutnatly cameras weren't allowed in before the launch of T5 so I don't have more pictures, I had to sneak this one on my phone...!
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