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The kinetic light installation “Nymphéas” is inspired by the lyrical images of ponds overgrown with water lilies by whose side poets and artists have spent countless hours in contemplation of clean, cold flowers.

The flower buds move gently in an optically expansive space, shimmering with different colors. The reflections of the flowers and the people observing them are compounded, creating a sense of submersion into the depths of the surreal pond.

The installation consists of 37 kinetic light modules mounted on a steel frame and covered with triplex glass. Each module consists of a “flower” operated by custom-designed mechanisms. For this installation, a unique set of 3D-printed details and a custom Art-Net controller were created, allowing the installation to be controlled externally with a standard lighting console or third-party software. The whole circular “pond” is 4.85m in diameter and 0.6m in height (elevated 0.15m from the ground).

“Nympheas” has already been installed in a permanent exhibition space. However, as a result of the coronavirus pandemic, it has not yet been presented to the public.

Credits
Concept, production and video: VOLNA
Camera / photo: Polina Korotaeva, VOLNA
Music: Hush Pup – Flower Power
© VOLNA (2020) © Hush Pup (2018)

More info
www.volna-media.com/projects/nympheas

VOLNA, Saturday, Sep 19th 2020 Digg | Tweet | Delicious comments on vimeo  

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c nisidis VISUALS REEL 2019-20

Constantine Nisidis provides creative solutions to one-of-a-kind projects worldwide, based on his multi-year experience in combining a variety of technical skills with a solid artistic background. Get in touch now and make it happen.

c nisidis, Sunday, Sep 13th 2020 Digg | Tweet | Delicious comments on vimeo  

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More sound reactive compositing using VVVV and multi-track audio.

Sean Norris, Wednesday, Sep 9th 2020 Digg | Tweet | Delicious comments on vimeo  

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All footage shot/recorded using Kinect Studio v2.0

Footage compiled and edited in VVVV using Microsoft Kinect 2.0 Tools by id144.
All compositing and editing done using VVVV via Timeliner.

Lyrics:
If they see you,
Stop and frisk you,
Pull you over
To be safe to be safe

To detain you,
Like they trained to,
Make sure you know the score

THIS AIN'T NO VIDEO GAME
But They're Still Taking Aim
DON'T WANT NO MOMENTS OF FAME
Keep quiet, go as you came

If they see you,
Stop and frisk you,
Pull you over
To be safe to be safe

To detain you,
like they trained to,
Make sure you know the score

If they see you, if they see you
If they see you
To Be Safe, To Be safe

If they see you, if they see you
Make sure you know the score

THIS AIN'T NO VIDEO GAME

But They're Still Taking Aim

DON'T WANT NO MOMENTS OF FAME

Keep quiet, go as you came

  • Hands Up, Don't Shoot!

BUT THEY'RE STILL TAKING AIM

If they see you
Make sure they know the score.

Soundcloud:
https://soundcloud.com/seanmn/if-they-see-you

Sean Norris, Wednesday, Sep 9th 2020 Digg | Tweet | Delicious comments on vimeo  

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„data sculpture – happiness compared to human rights“ ist eine Open Data gespeiste, interaktive
Datenvisualisierung, die sich experimentell mit einer Gegenüberstellung des „World Happiness
Report“ und der „Allgemeinen Erklärung der Menschenrechte“ beschäftigt.

Nils Schack, Wednesday, Sep 9th 2020 Digg | Tweet | Delicious comments on vimeo  

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made by vvvv

hayasaka yusuke, Wednesday, Sep 9th 2020 Digg | Tweet | Delicious comments on vimeo  

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Der Singende Kopf is an experimental opera fragment by Marc Sinan with a libretto by Maike Wetzel and resembles one third of the Endless Pleasures triology. The piece is based on Ovids epilogue on the story of Orpeus and Euridike and the Chinese Opera The Peony Pavilion.
For the performance the stage was transformed into an immersive room on the edge between reality and virtuality, resembling Orpheus way between life and death. The four by four grid of vertical light poles react in realtime to the performance of the partly improvising musicians, while the reflections of the light sculpture beutifully reflect on the stage floor, which was completely covered with mirror foil.

First performance at Radialsystem Berlin on April 6th, 2019

Credits:

Ensemble ConTempo Beijing
Xiong Xiohan (Dizi)
Fanhe Liu (Pipa)
Jiakang Zhang ( Zheng)
Yang Zheng ( Sheng)

Marc Sinan Company
Oğuz Büyükberber (Klarinette)
Daniel Eichholz (Schlagzeug)
Almut Kühne (Gesang, Performance)
Marc Sinan (E-Gitarre. Elektronik)

Performance: Rike Schuberty

Komposition, Musikalische &
Künstlerische Leitung: Marc Sinan
Libretto: Maike Wetzel
Stagedesign: schnellebuntebilder
Objekte/ Konzept & Performance: Ulrike Langenbein
Dramaturgie: Holger Kuhla, Maike Wetzel
Produktionsleitung: Eric Nikodym, Annika Stadler // YMUSIC

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Audiovisual Installation

F3, Saturday, Aug 8th 2020 Digg | Tweet | Delicious comments on vimeo  

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Painting by Takeuchi Seiho circa 1937, entitled 'Mouse and Top Hat.'

Sound generative compositing created in VVVV via REAPER.

Sean Norris, Wednesday, Jul 29th 2020 Digg | Tweet | Delicious comments on vimeo  

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Shoutbox

~9d ago

~9d ago

joreg: @jib watch this howto manage items in a spread for a start: https://youtu.be/tiFLGTrDagc

~9d ago

jib: Hi guys ! in Gamma, what's the way to do things that Buffer node does in Beta ?

~10d ago

david: Reminder: vvvv meetup is starting in 10 mins. https://www.youtube.com/watch?v=LzqaoN7QCSg

~12d ago

joreg: Reminder: 6th worldwide #vvvv meetup tomorrow, Nov 24: 6.-worldwide-vvvv-meetup with presentations by u7angel and team, texone and baxtan

~14d ago

tonfilm: That's going to be interesting, let's hope Intel is doing something similar: https://www.tomshardware.com/news/amd-allows-SAM-on-nvidia-gpus

~15d ago

neuston: THX @joreg and sorry for late reply as I left vl for a while. I've responded to related (UI performance issues) thread, no worry

~15d ago