Digital Slaves was asked to come to Bristol to manage a massive projection on the Bristol's Council House.
The event, Lightup Bristol, try to gather artistic pieces from main Bristol's agencies, artists, vj's ...

We were streaming two 3072 x 768 uncompressed video files, one for the left side and one for the right side, with two of ours home made servers. A laptop was managing the audio files.The broadcasting was done by six Christies S+ 20k.
The final resolution was 6144 x 768 on 160m.

Crustea AntiVJ was there and made, at night, on the same setup an audiovisual mapping.

Video Report

Screenshots

The Rorschachoscope 2 uses vvvv to create images that resemble the images used in the Rorschach inkblot test.

The project uses and a collection of different PS2 shaders to transform video input, manipulating its shape and color to create the inkblot-like images in real time.

Visitors could interact with the installation to create their own images by moving around, as if they were in front of some kind of psychological mirror. User movement was also manipulated in a way that tries to simulate ink (to better understand it, see real installation footage or a test video captured directly from vvvv).

If visitors so desire, they could also save the image by clapping their hands once (or just making some loud noise). The current images were then saved, and uploaded to a web page that holds the saved Rorschach-esque shapes as well as the original video input frame that created to them.

This project was created by Zeh Fernando for the Digital Interface Design course at Senac São Paulo (Brazil).

In Florenz Italy opened a new space for contempory art la Strozzina at Palazzo Strozzi. For the first exhibition “EMOTIONAL SYSTEMS Contemporary Art Between Emotion and Reason” Franziska Nori asked me to develop a Installation to visualize some of the contents of the exhibit. I developed an Interactive Wall which allows up to eight Visitor to navigate the contents created by Franzisak Nori and Dr. Martin Steinhoff. When a word is touched its implications show up or another content of a connected Layer moves to the center. The contents are related with the different factors of influence on the production of Art.

Videolink

„… diese drei vier Monate, die wir getrennt sind, das ist wie ein Winterschlaf.“ (Boris, 36, Beziehung Berlin-Melbourne)

(c) Alexander Paul Englert

For the performance / play "living apart together" by director Raman Zaya, a digital video control system was realized within vvvv.

Team: David Bruell, Ingolf Heinsch, Thomas Hitthaler - project page