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Sound reactive video featuring original footage compiled and composited in VVVV
All instruments except guitar played simultaneously on an EWI USB MIDI wind controller.
Each panel reacts to instrument's sound as follows:
Panel 1 - Baritone Saxophone
Panel 2 - Tenor Saxophone
Panel 3 - Trumpet
Panel 4 - Tenor Trombone
This is a project of the master program digital healthcare of FH St. Pölten (Austria). This prototype simulates an x-ray tube, which is controlled by gestures. This is supposed to be an approach to reduce germ transmission as well as to increase ergonomics for radiographers. For the development, Leap Motion was used for hand tracking, VVVV for processing and Arduino for mechatronics.
credits https://volna-media.com/keep-yourself-clean
The first solo exhibition by VOLNA, presenting a reconstruction of the art collective's major works from 2016 – present in a virtual space. The exhibition spaces and installations were created using video game development tools (Unreal Engine) that simulate real-time scenes and lighting effects. VVVV was used to reproduce the real-life behaviour of the installations (as they were mainly controlled via VVVV in the reality). Exhibition visitors are invited to immerse themselves in the surroundings of each installation and can move freely in the room and choose any observation point.
Time always concerned even gods, the perfect beings. Aphrodite (or Venus) is an ultimate symbol of beauty and youth that shall be destroyed in order to be preserved only as a memory.
video edit of the single IRINA from the debut LP of the same title by METAMAN.
Out now on vinyl by WON TON records!
Digital distribution Just Gazing records
“Irina” was entirely made in vvvv (the multipurpose toolkit) in addition FieldTrip, InstanceNoodles (both contributions from Kyle McLean (aka everyoneishappy ) and some other custom tools, made in C# and HLSL, were used during the creation process.
The content itself is a result of an audioreactive experiment, where sound frequencies, a beat and some MIDI instructions contribute equally to the final result. Parameterization succeeds timelines and 3d -polished - graphics are being replaced by a thick grainy fog with a “raymarched” head which is constantly evolves and mutates proceduraly to noisy and abstract shapes.
The entire project is part of a purpose made and designed tool capable to support METAMAn on their live shows as a real-time content generator, therefore this version of the video is just one yield or a variation of a bigger abstract-visual dynamo.
Follow METAMAN:
Video by Constantine Nisidis
WEB, FB, IG
2020 WON TON ©
The audiovisual project Beethoven recomposed commissioned by german broadcasting company WDR is a unique approach to make the music of Ludwig van Beethoven tangible for people with and without hearing impairment.
In order to let the whole audience experience a classical concert with their eyes, the symphony was translated into a visual journey through three generative worlds following the melodic motion, rhythm and changes of mood. These visuals were projected on a large monolitic canvas hanging above the orchestra. On each side of the canvas three LED strips were added to open up the stage scenery in form of the orchestral pit. While the projection aimed at telling a coherent story and reflect the narrative and emotional aspects of the music, the lower resolution and different light intensity of the led strips was used to convey the music in a rather didactive way.
Credits
Orchestra: WDR Funkhausorchester
Musical Direction: Wayne Marshall
Composition: Stefan Behrisch
Direction: Annechien Koerselmann
Idea: Katharina Höhne
Software & Visuals & Stage Design: schnellebuntebilder
The audiovisual project Beethoven recomposed commissioned by german broadcasting company WDR is a unique approach to make the music of Ludwig van Beethoven tangible for people with and without hearing impairment.
In order to let the whole audience experience a classical concert with their eyes, the symphony was translated into a visual journey through three generative worlds following the melodic motion, rhythm and changes of mood. These visuals were projected on a large monolitic canvas hanging above the orchestra. On each side of the canvas three LED strips were added to open up the stage scenery in form of the orchestral pit. While the projection aimed at telling a coherent story and reflect the narrative and emotional aspects of the music, the lower resolution and different light intensity of the led strips was used to convey the music in a rather didactive way.
Credits
Orchestra: WDR Funkhausorchester
Musical Direction: Wayne Marshall
Composition: Stefan Behrisch
Direction: Annechien Koerselmann
Software & Visuals & Stage Design: schnellebuntebilder
Interactive installation made by Nicholas Cheung & Claudia Paz
Light Garden is a permanent interactive landscape of light, sound and experience. It transports us into a magical world and reminds us of the early childhood fantasies that we used to create.
Light Garden is a playful combination of suspended flowers, projected floor petals and surreal sounds. Colourful shapes bounce off the glossy floor creating three-dimensional patterns of light. The complex interactive technology melts away, producing a real-world cinematic experience that is influenced by people moving through the space.
Credits
Concept & Art direction: Nicholas Cheung & Claudia Paz
Interactive programming: Chris Plant / Colour Burst
Sound design: Neil Spragg / Future Sound Design
Lighting Supplier: Astera LED
DMX control: e:cue
DMX Programmer: Ruby Rubenstahl
Light Content: Cesar Castro Paz
Contractor & Installer: MAS Contratistas Generales
Production: Nicholas Cheung & Arquileds
Client: Coorporacion EW
Location: Plaza Norte, Lima, Peru
credits CristiCons
CristiCons set for ResoluteNyc remote showcase
full stream at https://www.facebook.com/ReSoluteEventsNYC/videos/698614180908249/
credits autechre - bronchus24
my visuals are algorithmic compositions. I compose visual music with parameter morphings. shapes and process. many parameters at the same time, from which I expect different effects. from experience or as a new idea. some of these work in opposite directions and together create unexpected reactions. I can deal with these spontaneously and immediately with many midi controllers and pc keys that control the basic parameters. Five different visuals can easily be created in a few days and nights in a row. on a piece of music very different versions, of which I see: I don't have it yet. pointless to include the sixth version. at intervals, sometimes weeks later, I work on it again. and sometimes I see: that's it !! (music has many aspects: shape, energy, mood, tempo .. I try to visualize at least some of them at the same time)
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