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Result of some experimentation with vvvv and HLSL.

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Videoclip musicale realizzato in arte generativa programmato in VVVV da Glasspiel . Il video è stato realizzato per la traccia “Voices From The Lake - Drop1” di Donato Dozzy e Neel per l'etichetta Prologue

zero post-produzione..solo reazione!

www.interactivedesign.it
www.glasspiel.com

Music video made ​​of generative art programmed with VVVV by Glasspiel. The video was made for the track "Voices From The Lake - Drop1" by Donato Dozzy and Neel for the label Prologue

zero post-production .. only reaction!

www.interactivedesign.it
www.glasspiel.com

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Demo of a second motion tracking patch with the Kinect. Software used - vvvv.org

OCD, Sunday, Feb 5th 2012 Digg | Tweet | Delicious comments on vimeo  

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Nächtliches Lichtschauspiel im Congress-Park

Hinter den Scheiben des Congress-Parks Hanau (CPH) pulsieren orangefarbene Leuchten, violette Dioden umkreisen einander, Licht und Schatten scheinen miteinander zu ringen. Im Südfoyer des Tagungszentrums, gut einsehbar durch die raumhohen Scheiben, sind 17 Arbeiten des Hanauer Lichtkünstlers Joerg Obenauer zu sehen. Die Objekte bleiben die Nacht über eingeschaltet, so dass das Lichtschauspiel am Rand der Altstadt bis zum Morgen dauert. Die Sommerausstellung des CPH ist bis Donnerstag, 1. September, zu sehen. Der 1974 in Hanau geborene Designer lässt sich von der elektronischen Musik und der kühlen Ästhetik der Diskotheken inspirieren. "Es geht nicht darum, was ich als Künstler zu sagen habe, sondern vielmehr um das individuelle Erleben, das doch für jeden Menschen anders ist", sagt Obenauer, der an der Hochschule für Gestaltung in Offenbach studierte. Seine Werke wirken abstrakt, wie die zwölf orangefarbenen Scheiben, im Kreis angeordnet, fast wie auf dem Zifferblatt einer Uhr. Das Pulsieren der Lichtstärke lässt die Glasflächen scheinbar wachsen und schrumpfen. Mit der Bewegung spielt der Künstler auch bei einem anderen Objekt: Leuchtende handtellergroße Quadrate bewegen sich tatsächlich vor und zurück. Wie als Beweis, dass es sich nicht um eine optische Täuschung oder einen Lichteffekt handelt, klackern sie dabei wie die Tasten einer Computertastatur. Das eintönige Geräusch und die sich wiederholende Bewegung wirken meditativ und beruhigend. Bei einer anderen Arbeit wirken vier weiße Opalglasquadrate als Mattscheiben für ein Schattenspiel. Es scheint, als würden hinter dem Glas Objekte schweben, vielleicht in einer zähen Flüssigkeit, die nur langsame Bewegungen zulässt. Das aufwendigste und auffälligste Werk der Schau allerdings existiert nur virtuell. In einer Computersimulation lässt sich ein Kubus, bestehend aus 294 von innen beleuchteten Glasflächen, steuern. Auf einer Leinwand erscheint der Würfel, die Besucher der Ausstellung dürfen ihn durch Berührungen eines Bildschirms steuern, sie können ihn anschubsen und in eine Drehung um die eigene Achse versetzen, mit einem Fingerzeig die einzelnen Glasflächen aufschimmern lassen. Die Simulation auf der Leinwand ist eine Fotomontage, in der der Kubus im Schlossgarten aufgestellt ist. (höv.)

Text: F.A.Z., 11.08.2011, Nr. 185 / Seite 47

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The Intel Connect to Life Experience is an interactive 3D virtual life simulation that spanned the entirety of Intel’s booth at CES 2012. Conference attendees created silhouettes at input stations to generate a unique lifeform on the projection surface overhead. The animated lifeforms interact with one another in playful ways, dancing with one another or chasing other lifeforms around the ecosystem.

168 feet wide. 30 billion triangles per second. 17.6 megapixels per frame image at 60 frames per second. 2200 square feet of non-uniform rear projection. 24 projectors. All powered by Intel Core i7 technology.

For more information, visitlinkname here.

Stimulant, Saturday, Feb 4th 2012 Digg | Tweet | Delicious comments on vimeo  

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Augmented Structures v1.1 : Acoustic Formations / Istiklal Street

Architecture and (Media) Design are art forms that exist independently from one another. Over the last few years they have been growing together. They are entering into symbiotic dependencies and stimulations. Against the background of the information technologies, architecture has gained a new reality. No longer are objects or processes the constituting elements of a building. Now they are described as technical networks of communicating nodes, which balance themselves in contrived patterns.

"Augmented Structures v1.1 : Acoustic Formations/Istiklal Street" is an augmented structure, an installation by Refik Anadol and Alper Derinboğaz which is created through the use of innovative parametric architecture and audiovisual techniques. The projects deals with a new mediated space: How to translate the logic of media into architecture? In this first experiment field recordings of Istiklal Street will be transformed in to parametric architectural structure. The recordings were made by Kerim Karaoglu who also used these recordings to create an electro-acoustical composition. The project seeks interactions between space, sound, visual and light. A similar connection between architecture and media has been experienced in Philips Pavilion of Le Courbusier in 1958.

Beyond being an artwork this installation is an urban experience. The scale of surface, 2000sqm, and the dominance of the location will definitely take place in collective memory of İstiklal Street visitors.

There will be an exhibition opening on 20th of September at 19:30 in relation to this façade installation which showcases experiments of architecture- sound - visual correlations of Refik Anadol and Alper Derinbogaz.

During the night visual performance will be projected on the structure which will be accompanied with a generatively designed contemporary aesthetic visuals consisting of input data from the recordings and their transformed versions synchronized to the movement of graphics re-shaping and transforming the structure on which they are projected. The structure in turn influences and transforms the projections as well.

For more information: www.augmentedstructures.com

Refik Anadol / New Media Artist
www.refikanadol.com

Alper derinbogaz / Architect
www.salon2.info

Sound Design: Kerim Karaoglu

VVVV Realtime Graphics: Sebastian Neitsch

Projection Infrastructure: Visio-vox

Refik Anadol, Thursday, Feb 2nd 2012 Digg | Tweet | Delicious comments on vimeo  

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http://www.looksgood.de/log/2007/02/03/seelenlose-automaten/

Generative audio visualization by Patric Schmidt and Benedikt Groß.

Benedikt Groß, Tuesday, Jan 31st 2012 Digg | Tweet | Delicious comments on vimeo  

credits Studio Kreft

Zen Station by Jannis Kilian Kreft, Concept 2003/2004, Produced in 2008, premiered at the NODE 08 festival and a real beta 13 classic, is now a permanent installation @ the Städtische Galerie Meiningen. Go play it!

VIDEO DOCU:
http://www.youtube.com/watch?v=II-fcvc57Jk
Gallery Link:
http://www.meiningen.de/Kultur/

ZEN STATION by Studio Kreft

read more...
jannis, Sunday, Jan 29th 2012 Digg | Tweet | Delicious 4 comments  

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Generated in real-time with vvvv and HLSL.

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5 in days in Gothenburg for Way Out West.

Shot on a Canon 7D with a nifty 30mm Sigma.

devilsfishbowl.com
twitter.com/murrika

Irrum, Thursday, Jan 26th 2012 Digg | Tweet | Delicious comments on vimeo  

anonymous user login

Shoutbox

~15d ago

~18d ago

joreg: The Winter Season of vvvv workshops is now over but all recordings are still available for purchase: https://thenodeinstitute.org/ws23-vvvv-intermediates/

~24d ago

schlonzo: Love the new drag and drop functionality for links in latest previews!

~1mth ago

joreg: Workshop on 29 02: Create Sequencers and Precise Clock Based Tools. Signup here: https://thenodeinstitute.org/courses/ws23-vvvv-08-create-sequencers-and-precise-clock-based-tools-in-vvvv-gamma/

~1mth ago

joreg: Workshop on 22 02: Unlocking Shader Artistry: A Journey through ‘The Book of Shaders’ with FUSE. Signup here: https://thenodeinstitute.org/courses/ws23-vvvv-12-book-of-shaders/

~2mth ago

joreg: Talk and Workshop on February 15 & 16 in Frankfurt: https://visualprogramming.net/blog/vvvv-at-node-code-frankfurt/

~2mth ago

woei: @Joanie_AntiVJ: think so, looks doable