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credits An ongoing collaboration between Abstract Birds and Quayola

Partitura

Partitura is a custom software to generate realtime graphics aimed at visualising sound. The term “Partitura” (score) implies a connection with music, and this metaphor is the main focus of the project. Partitura aims to create a new system for translating sound into visual forms. Inspired by the studies of artists such as Kandinsky, Paul Klee, Oscar Fischinger and Norman McLaren, the images generated by Partitura are based on a precise and coherent system of relationships between various types of geometries. The main characteristic of this system is its horizontal linear structure, like that of a musical score. It is along this linear environment that the different classes of abstract elements are created and evolve over time according to the sound. Partitura creates endless ever-evolving abstract landscapes that can respond to musical structures, audio analysis and manual gestural inputs. It is an instrument that visualises sound with both the freedom of spontaneous personal interpretation/improvisation and at the same time maintaining the automations and triggers of mathematical precision.
.
Partitura defines a coherent language of its own for the creation of new contemporary abstractions. It is within this system that Partitura creates worlds that expand from a single dot to multiple galaxies, from minimalism to complexity, from rigid to elastic, from solid to liquid, from angular to smoothness, from tentative to boldness, from calm to agitation, from slow to fast, from desaturated to saturation, from dark to lightness, from predictable to unpredictability. Literally ‘everything’ and its opposite… just like a musical flow.
http://www.abstractbirds.com/partitura/
http://vimeo.com/abstractbirds/partitura001
http://www.flickr.com/photos/abstractbirds/sets/72157626655734158/

Abstract Birds, Thursday, May 5th 2011 Digg | Tweet | Delicious 4 comments  

credits www.soundframe.at www.indat.at

anamorphic mapping object by unlicht (unheilbar & lichterloh)

After "anna.null" has remained a concept in our drawers, we followed an invitation by the sound:frame festival 2011 to realize "anna.eins", as part of the festival's exhibition.

"anna.eins" is all about deconstructing space, challenging perception, demanding truth.
While the spectator is forced to wander around to find this single perspective, where all the distorted parts unite to form a recognizable object, fragile becomes heavy, small becomes big and confusion seems to disappear....so, how about truth?

www.lichterloh.tv
www.unheilbar.at

digitalwannabe, Wednesday, Apr 13th 2011 Digg | Tweet | Delicious 0 comments  

credits Alessandro Perini; Stefan Östersjö

Alessandro Perini
"La escritura del dios" (2010)
for electric/MIDI guitar, live electronics and interactive video
Stefan Östersjö, guitar
December 4th, 2010
Inter Arts Center, Malmö (Sweden)

Video frame

The reference is to one of Jorge Luis Borges’ short stories, included in El Aleph. In Borges’ text, an Aztec priest is imprisoned by a spanish conquistador. The priest/magician tries to decipher the spots on the fur of a jaguar in order to find a magic formula that would set him free.
In this piece, the magic formula is constituted by two scales (derived from the tuning of an Aztec flute) used to build the entire musical plot. This formula is then hidden and filtered in different ways, following the processes occurring on the visual level. The interactive video system, reacting to the guitar’s audio and MIDI signal, plays with a granular background of sand (dreamt by the priest in the short story), a fragmented image of the jaguar and a set of symbols taken from the codex Fejérváry-Mayer, an Aztec mauscript containing a sacred calendar.

Webpage of the project with full video:http://tinyurl.com/3eus4kp

Author's webpage:http://www.alessandroperini.com

IAC/Malmö webpage:http://iac.lu.se

Performance
Performance
Performance
Xini, Sunday, Apr 3rd 2011 Digg | Tweet | Delicious 0 comments  

credits Alexander Bogdanov Elena Azzedin P-lab

title

"Spoken World" in collaboration with other poets and musicians (poetry, vvvvisuals and music) for the P-Lab (Laboratory of Poetry)

visualex, Wednesday, Mar 16th 2011 Digg | Tweet | Delicious 0 comments  

credits Antonio Buendía Pagan Eva Sans Elena Azzedin Alexander Bogdanov REC Live cinema festival 2010

title

Audiovisual performance made with vvvv where Antonio Buendía Pagan played ethnic instruments and Eva Sans painting live on stage representing the analog, Alexander Bogdanov with live visuals and live electronic music, Elena Azzedin with live digital drawing. This project was one of the 6 projects selected in the international competition section of the REC Film Festival in Tarragona. April 2010.

visualex, Wednesday, Mar 16th 2011 Digg | Tweet | Delicious 0 comments  

credits Tresorg Imagenacion, Chussa Alcaraz, Belen Orta

Tresorg imagenacion | Chussa Alcaraz

"Line, a moving point" (Contemporary dance and live video synthesis ) with Chussa Alacaraz, a work integrated in "Lunatics" initiative coordinated by Belén Orta.

"Línea, un punto en movimiento" ( Danza y síntesis de vídeo en tiempo real) con Chussa Alacaraz, obra integrada en la iniciativa Lunáticos comisariada por Belén Orta.

visualex, Wednesday, Mar 16th 2011 Digg | Tweet | Delicious 0 comments  

credits Players: Iris Andraschek, Joshua Thornton, Steven Morel, Diego Shea, Dan McGee, Jenny Parsons, Randy Martin, Dyan Jones. Twilio, Python and VVVV support by Rob King. Camera by Michael Tweed.

TRIO premiere at Nuit Blanche, Toronto
TRIO controlled by users mobile

http://www.youtube.com/watch?v=Kmsdx_1J1jc

Jordan Bimm, NOW Magazine:

Geoffrey Shea takes on digital billboards with his interactive music projection piece TRIO. Revellers will be confronted by large projections of three folk musicians jamming, while corresponding audio tracks mix together to create a song. Viewers can dial a number on their mobile devices to change musicians in the trio – there’s a pool of nine, each with a different instrument – and create a new audio mix in the process.

Shea says he chose to showcase folk music because of its politics of participation and inclusion. “Folk was started by people who felt like they had something to say, who wanted to get involved. As a genre, it puts less emphasis on technique, and makes music more accessible.”

While it might seem contradictory to link folk music and high technology, Shea explains that the connection is all about art and democracy. “Everyone is getting creative with digital media these days, so I see media art as the new folk art.”

gshea, Thursday, Dec 16th 2010 Digg | Tweet | Delicious 0 comments  

463 PEOPLE REPORTED DEAD AT CYNETART 2010 !!!http://www.youtube.com/watch?v=J3qOobiHw3Y

"Post Mortem" by Jannis Kreft is a mutual multi-death experience for the entire family. People come and die together, reflect about perishability and talk about a taboo to mankind: Death itself.

Post Mortem by Jannis Kilian Kreft

read more...
jannis, Friday, Nov 19th 2010 Digg | Tweet | Delicious 0 comments  

This is actually the first time I used VVVV and I love it.

NV1
NV2
DieTapete, Wednesday, Nov 17th 2010 Digg | Tweet | Delicious 0 comments  
skyence_insct

BZZZZT – RRRATAZENG – GLIIITSCH – BLINKBLINK – WOOUUUUSCH!
That's how you could describe the generated music-video »INSCT«, i've made for Skyence from Hamburg. It's animated by using VVVV and is edited finally in After Effects.
http://www.vimeo.com/16219591

Direction & Animation: Johannes Timpernagel – http://www.timpernagel.com
Sound: Jochen Mader / Skyence / Audionerve – http://www.audionerve.de

clay, Wednesday, Oct 27th 2010 Digg | Tweet | Delicious 1 comments  

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Shoutbox

~8h ago

joreg: @io: we have a new workshop format planned for that this year. to be announced with the rest of the workshops mid jannuary.

~8h ago

joreg: @mori better start a forum-thread describing your problem in more detail. because if you just ask: Can I? the answer is: Yes.

~8h ago

Mori: Can I connect the reverse pin of an LFO to something event triggered? I can't seem to find a way :(

~8h ago

Mori: Can I connect the reverse pin of an LFO to something event triggered? I can't seem to find a way :(

~9h ago

io: Yes, good patching style is the most difficult skill to learn when you are an isolated vvvv user as myself

~9h ago

Mori: Is there a workaround for the reset pin on LFO? Wave shaper doesn't do it

~16h ago

guest: @io Node13's Software Engineering Patterns workshop by Meso essentially fit the MVC pattern. It would be good if they run it again.

~22h ago

joreg: @io more than what?