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credits colorsound,itemmedia

In the cultural center Baños Árabes - Villardompardo Palace is located in the historic center of Jaen city and its facade was chosen to do an interactive video-mapping projection in which through a custom pinball game, the public could learn while playing about the Arabic, Jewish and christian cultures that took important part in the history of Andalucia and in this case of "los Baños Árabes" in Jaen itself.

Interactive Mapping projection at los Baños Árabes de Jaén
Centro Cultural Baños Árabes
Palacio de Villardompardo - Jaén

Organised by

Diputación de Jaén | www.dipujaen.es

Audiovisual Production:

Item Media | www.item-media.com

Interactive Design and programming:

Abraham Manzanares | www.colorsound.es

Coordination:

Miga Cultura | www.migacultura.es

Production:

Juan Ramón Canovaca

Historic content and scripts:

Rafael Olmo y Vicente Barba
///

//Spanish//

Pinball interactivo en los Baños Árabes de Jaén
Centro Cultural Baños Árabes
Palacio de Villardompardo - Jaén

Organizado por Diputación de Jaén

www.dipujaen.es

Producción audiovisual:

Item Media | www.item-media.com

Programación y diseño interactivo:

Abraham Manzanares | www.colorsound.es

Coordinación:

Miga Cultura | www.migacultura.es

Producción:

Juan Ramón Canovaca

Guión de contenidos históricos:

Rafael Olmo y Vicente Barba

///

El Centro Cultural Baños Árabes – Palacio de Villardompardo se encuentra en el centro histórico de la ciudad de Jaén y su fachada se utilizó para un video-mapping interactivo a través de un juego.

La idea es que el público pueda participar jugando con un pinball proyectado sobre la arquitectura del edificio y que su bola se mueva entre las ventanas, puertas, diversas cornisas y adornos. El juego está dividido en cuatro escenas. Las tres primeras son sobre las culturas judía, árabe y cristiana que han pasado a lo largo de la historia por Andalucía y en concreto por Jaén; y una última escena multibola, como premio al jugador que llegue hasta el final.

En el desarrollo del juego cada jugador va descubriendo hechos históricos y datos relevantes de cada uno de los periodos según el número de toques que consigue dando con la bola a determinados objetos.

La producción visual y programación ha sido realizada por Item Media, Miga Cultura y Abraham Manzanares (Colorsound).

thanks to tgd for box2d tips.

colorsound, Monday, Oct 20th 2014 Digg | Tweet | Delicious 0 comments  

credits bit_arTék

In bit_arTék we have created a software to design professional lighting.
vvvv power used to handle real-time data.

We invite vvvvis technicians use to perform their work.

We encourage users to share their modules to create a growing resource content and thus be less dependent on commercial programs.
https://sites.google.com/site/vvvvisbitartek/vvvvis

kld4, Monday, Sep 29th 2014 Digg | Tweet | Delicious 4 comments  

credits Marcello Gómez Maureira, Carolien Teunisse

Where the obstruction of light is often an unwanted artefact in projection-based AR installations, we explore shadows as dynamic canvases for supplementary projections. In defining shadow areas with your own body, visual information can be discovered in a playful way.
Visual art, educative content presentation, and gameful design converge to bring forth an interactive display that augments exhibition models in museum environments.illuminating-shadows.com

Kinect, 2 projectors, vvvv

Lucidlien, Sunday, Sep 21st 2014 Digg | Tweet | Delicious 0 comments  

credits went into the tumblr captions

old neü is the logbook of bucharest based visual maker ion cotenescu

combinig spatial context and cgi, cote has been keen on bringing CAD flair to party situations

as a tech tributary to contemporary media platform vvvv, he has found himself branching out interests from visual syntax into interaction- and light-design

also,
if there is a v4 coagulation out there on tumblr, please drop a message

ggml, Tuesday, Sep 16th 2014 Digg | Tweet | Delicious 0 comments  

credits Andrej Boleslavský

DNA is the best software.

The ArchiBio project discovers phenomena that surround us everywhere, yet they remain invisible. The growth of bacteria, fungi and plants, life of an ant colony – the beauty of these phenomena escapes our attention, because they exist on a different scale or in a different time beyond our perception.

ArchiBio videomapping unfolds the beauty of microscopic worlds enlarged to a giant size in the public space. It poses a question whether the relationship between nature and technology really is antagonistic, or whether the man-made technologies represent just another branch on the evolutionary tree. It is fascinating that all life forms around us share the same operating system with us, humans, DNA. What will happen once our technologies learn how to cooperate with it? Will genetic modification bring destruction or progress?

The project is being created especially for the Prague festival of light, Signal Festival.

The preparatory work included creative, technology and scientific research. The author used 3D scanning technologies, 3D printers and computer-controlled cutting machines to make special cultivation pots of the shape of which will copy selected architecture.

Featured by Czech the light czechthelight.cz
Commissioned by Signal signalfestival.com
Partner LVR lvr.fel.cvut.cz

Video Mária Júdová, mariajudova.net
Music Ambienteer - Ecclesia

Special thanks:
Jan Buriánek, bursoft.org

Thanks:
Iva Dobiášová
Radka Hanečková
Jakub Hybler
Marko Júda
team Signal

Project by Andrej Boleslavský
id144.org

id144, Friday, Sep 5th 2014 Digg | Tweet | Delicious 5 comments  

credits Chris Plant/catweasel, Claudia Paz, Nicholas Cheung, Cesar Castro

I was commissioned to program this Art piece and Interactive Installation design by Claudia Paz and Nicholas Cheung for BCP institutional building in San Isidro, the center of the commercial district of Lima - Perú

Ecue drives the LEDs from a DVI feed from vvvv and also does the scheduling, the touch panel is made of 72 Sensacel tiles.
There are 5 layers of iFlex 270pixels high and 9 wide, and the poles have archi points at their tips making a total of 26,182 pixels

http://www.colorkinetics.com/showcase/installs/BCP-Affinity/

catweasel, Wednesday, Aug 13th 2014 Digg | Tweet | Delicious 6 comments  

credits stain, ::vtol::

“...the time is out of joint” - Shakespeare

This staging is an algorithmic interpretation of "Comedy of errors" by William Shakespeare where luminescent lamps perform the play in accompaniment of generative sound and graphics - all based on the original text.
Here lamps are actors, and projected scenery represents constantly flowing river. Text is the structural basis and joint of the time.

http://stain.ws/THE-COMEDY-OF-ERRORS
http://vtol.cc/filter/works/comedy-of-errors
http://prostheticknowledge.tumblr.com/post/84423671091/the-comedy-of-errors-installation-by-stain-and

read more...
ain, Sunday, Aug 10th 2014 Digg | Tweet | Delicious 0 comments  

http://vimeo.com/102997021

cartel_Turba

TURBA is a networked system consisting of 64 neural oscillators, which have been randomly linked and are subject to variables of interconnection.

Thus, any behavior generated by these oscillators is programmed explicitly: no sound, no movement, no pattern are products of a specific and previous approach, but are the result of the network structure and their connective processes. None of its components is the engine or timer for that behavior, but all act contagiously among them.

The oscillators perform, but have no plans.

But if this system receives feedback from the cadences that he generates, the work creates disturbingly similar rhythms to the movement of an organic body, carrying the workpiece to emergent behaviors of synchrony, chaos or collapses ...

more information:
http://patxiaraujo.com/portfolio/turba-_concierto-en-15-movimientos-para-64-osciladores-neuronales/

Patxi7, Saturday, Aug 9th 2014 Digg | Tweet | Delicious 2 comments  

To Be Reproduced is an interactive video installation that revisits the classic painting Not to be Reproduced a work made in 1937 by the Belgian surrealist painter René Magritte. The installation reflects on the pervasiveness of virtual spaces that have become an integral part of our daily social lives, and the way data traces are used to build sophisticated reproductions of the user.

In To Be Reproduced the viewer enters a hybrid space where the physical and the virtual world are closely intertwined. Positioned in front of the mirroring plane the viewer is enveloped in a virtual space where it meets a faceless digital reproduction of itself. As other participants are mirrored correctly the viewer takes on the role of the person depicted in Magritte’s painting.

This uncanny representation of the faceless user in a graphical point cloud refers to the voyeuristic nature of modern communication culture and to the data traces that are used to generate sophisticated consumer profiles. Instead of depicting people by mimicking nature, models are in-formed by analyzing metadata.

SITD_NL, Thursday, Jul 31st 2014 Digg | Tweet | Delicious 0 comments  

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Shoutbox

~11h ago

defetto: I mean the actual math..

~11h ago

defetto: Where can I learn how colorasalphaadd and colorasalphablend work?

~18h ago

sebl: @skyliner https://github.com/elliotwoods/VVVV.Packs.Image/issues/65 i started that already. maybe you want to join?

~19h ago

skyliner: anyone know how to get live video out of canon DSLR into vvvv?

~1d ago

metrowave: Has anyone used one of these ViDock for using full size PCIe Nvidia cards with a laptop? http://www.villageinstruments.com/tiki-index.php?page=Products

~2d ago

xd_nitro: yes be nice to have a way of doing it. Doesn't come up too often though.

~2d ago

sunep: couldn't there be a "clone and replace" function that solved the save as problem?

~2d ago

joreg: @xd_nitro thats annoying indeed. nut no easy way around it..